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Writer's pictureJohn Finnegan

Alien 3 Explained: A Case for Ellen Ripley’s Greatest Journey

| By John Finnegan

Ripley in Alien 3

“I’m sort of stunned that it is an influential character but I’m delighted, and I can kind of understand it because I actually based the character on a woman who inspires me very much who’s an environmentalist who’s very… she’s very much a person who doesn’t get bogged down in things that could go wrong. I’m glad that I picked the right person… I think she is a terrific character and I have to give credit to the four men and the many men and women behind these movies who wrote them and acted in them that these four films — I was very fortunate to be working with people who could tell a story that could still resonate many years later that had enough universal themes in it, that was still relevant to people.” – Sigourney Weaver

The Alien franchise has given us some of the most iconic moments in cinema history, none more so than Sigourney Weaver’s portrayal of Ellen Ripley. As one of the most celebrated female protagonists in film, Ripley’s journey has been analyzed, admired, and debated for decades. While much has been written about her heroism in Alien (1979) and Aliens (1986), Alien 3 (1992) is often dismissed as a weaker entry in the series. However, I would argue that it is in Alien 3 where Ripley’s character reaches its most profound depth, cementing her status as one of the greatest protagonists in film history.


The Evolution of Ripley: From Unisex Hero to Fully Realised Identity


Ellen Ripley’s origins are as fascinating as her character arc. When Dan O’Bannon and Ronald Shusett penned the script for Alien, they envisioned all the roles as unisex, allowing casting flexibility. This neutrality extended to Ripley, originally written as “Roby.” The character’s gender was largely incidental until Sigourney Weaver’s casting gave Ripley her now-iconic identity.


“Dan O’Bannon and Ronald Shusett, Alien’s screenwriters, wrote into the original script that all of the characters, while written as men (including ‘Ripley’ who was originally written as ‘Roby’), were in fact unisex and could be cast as either women or men” (Leab, n.d.).

In Alien, Ripley’s gender is almost an afterthought. Her arc is driven not by her femininity but by her intelligence, resourcefulness, and survival instincts. While she ultimately emerges as the "Final Girl," the film makes little of her gender until the climactic scene, where her undressing before facing the Xenomorph introduces a controversial moment of sexualization. Critics have since argued that this decision undermines her character, reducing her to an objectified figure.


Motherhood and Humanity in Aliens


Ripley’s transformation in Aliens redefined her character for many fans. Returning to the alien-infested planet decades after the events of Alien, Ripley takes on the role of protector to Newt, a young girl orphaned by the Xenomorphs. This dynamic introduced the subtext of motherhood into Ripley’s character.

James Cameron’s theatrical cut of Aliens does not explicitly establish Ripley’s maternal instincts. Only in the extended edition do we learn that Ripley lost her daughter, Amanda, during her decades in cryosleep. Without this context, her bond with Newt is better understood as an act of humanity rather than a maternal calling.


Ripley’s heroism in Aliens is not inherently tied to her gender but to her refusal to abandon Newt, emphasizing her bravery and compassion. As the film’s action-oriented narrative unfolds, Ripley’s ability to lead and survive elevates her to legendary status, earning Sigourney Weaver an Academy Award nomination for Best Actress.


The Rebirth of Ripley in Alien 3


It is in Alien 3, however, that Ripley’s character undergoes the most radical transformation. Returning to the franchise’s horror roots, Alien 3 strips Ripley of all external supports—her crew, her surrogate daughter, and her role as the triumphant hero. Instead, she is thrust into a grim, male-dominated prison colony where she must redefine herself in the face of new threats.


Ripley shaved head

From the outset, Ripley sheds traditional markers of femininity, shaving her head to blend in with the prisoners and adopting a stoic, masculine demeanor. Yet her womanhood remains central to the story. When a group of inmates attempts to assault her, Ripley’s response is not one of fear but defiance, confronting her attackers with unparalleled strength. Her dialogue in this scene—“Well then, I must make you pretty nervous”—shows her refusal to be reduced to a victim.

The ultimate test of Ripley’s resilience comes when she learns she is carrying an alien embryo, a violation of her body that parallels the horror of rape. Rather than succumb to despair or allow the corporation to exploit her for their gain, Ripley takes control of her fate. In a powerful act of defiance, she sacrifices her life to destroy the Xenomorph and deny her abusers their prize.


“You’ve been in my life so long, I can’t remember anything else,” Ripley says of the alien, a haunting acknowledgment of the trauma she has endured.

This moment redefines Ripley not just as a survivor but as a woman reclaiming agency over her body and identity.


Alien 3 Explained: A Psychological Masterpiece


While Alien 3 often faces criticism for its bleak tone and divisive production history, it deserves recognition for its psychological depth. The film challenges traditional gender roles, forcing Ripley to navigate a world that views her as both an outsider and a threat. Her ultimate sacrifice is not just a victory over the alien but a reclamation of her humanity.


Ripley dies in Alien 3

Unlike the straightforward survival arcs of the previous films, Alien 3 delves into Ripley’s psyche, exploring themes of identity, trauma, and agency. By juxtaposing her character against the harsh environment of the prison and the ever-present threat of the Xenomorph, the film offers a nuanced portrayal of strength that transcends gender.


Why Alien 3 Deserves a Rewatch


Dismissed by many as the weakest entry in the original trilogy, Alien 3 is, in fact, the most thematically rich installment. With Alien 3 explained through this lens, it becomes clear that the film completes Ripley’s arc, transforming her from a reluctant survivor to a self-determined hero. While the earlier films established her as a strong protagonist, Alien 3 challenges and refines that strength, presenting a character who is not defined by societal expectations but by her own choices.


For writers and storytellers, Alien 3 offers invaluable lessons in character development. By stripping Ripley of external identifiers and placing her in a crucible of psychological and physical challenges, the film showcases how to build a multidimensional protagonist.


Don’t be so quick to dismiss Alien 3. It’s a masterclass in character-driven storytelling and a testament to the enduring power of Ellen Ripley. For those willing to look deeper, it reveals a complex, haunting, and ultimately triumphant chapter in the saga of one of cinema’s greatest characters.


 
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